Beginner Guitar Scales: Stop! Playing Scales

Beginner Guitar scales and what you should know.

Want to learn more about beginner guitar scales?

So you’re sick and tired of the frustration and confusion?

beginner guitar scales
Tommy Emmanuel – the focus is on melodies

You’ve tried everything. 

Practicing scales relentlessly hour after hour until it feels like your fingers will drop off.

Learning more scales, more techniques even buying more gear (fun but not helpful).

But no matter what you do it feels like progress is coming like a turtle walking on peanut butter (thick peanut butter).

And boom! You’re in a never-ending battle of technique vs you, and guess who is winning?

We’ve all been there …

And I’m sure you have heard this advice a million times: “practice makes perfect”.

So what the heck do we do?

Learning Guitar scales: traps to avoid

News flash: It’s not what we’re doing it’s what we’re focusing on!

You see it’s not the practicing that’s the problem it’s the way we’re practicing.

Above all, we need to be acutely aware of the “two-way street” bind between technical accomplishment and what we are hearing in our head.

What we ‘hear” is a function of what we practice and what we play is a function of what we hear.

In other words, if all we practice are scales all we will hear are scales therefore when it comes to playing a solo it will most likely sound like an exercise.

Wham! Scales are not music

There’s the key right there …

Scales in themselves are not music.

Now for a lot of people that concept will hit them like a ton of bricks.

Heavy stuff, I know but that’s the truth.

However, it’s important to get your ears pinned on straight before going any further

The language of music, the music of language

Continuing the music, language analogy the key to playing meaningful music/solos is to:

  • select the correct alphabet for the music you are playing e.g., blues, country, jazz, etc.,
  • use the rhythm of words for phrasing 

Read on to find how we do this …

What scales are

Scales can be referred to by many different terms: Pitch-scales, modes, etc., and can have from two to twelve tones or more.

For our discussion on beginner guitar scales, a scale is any pre-determined restricted set of notes which chords (vertical forms) and melodic combinations (horizontal) can be chosen.

Essentially, scales are our musical alphabet.

Can this really be true?

Sure thing!

So what am I talking about?

If you think of music as a language – which it is!

Then single notes are the letters of our alphabet.

Chords are the words.

And chord progressions are our sentences.

beginner guitar scales

Let’s get this show on the road

Right then, as you see from the above analogy just simply running up and down scales all over the fretboard like a bee in a bottle would be like a person reciting the alphabet as fast as possible.

The result would be jibberish.

In the hands of an experienced musician, scales can become music, it’s our job to learn how to manipulate the musical raw materials and turn it into music that communicates.

Now, would be a good time to take a break and have a listen to exactly what I mean,

For those jazz fans amongst us check out Bill Evans & Jim Hall Duo – Romain

Not into jazz? how about Eric Clapton’s version of Danny Boy

Both these players know lots of scales and both can play fast, but what did they do?

They responded and reacted to the musical setting and communicated their ideas clearly to the listener

In the same way as a good writer or speaker does.

Beginner Guitar Scales: The basics

Imagine for a moment that you were only allowed to learn one scale on guitar.

Yep, just one. Which scale would you choose?

But, won’t I have to learn heaps of scales and modes patterns all over the guitar and lots of difficult theoretical concepts to go with it? I hear you say.

No, just one.

Can you guess which one?

Tell me which one I must know!

Bear with me, because now I’m going to show you how to use one scale pattern that actually will have two functions.

It’s called the pentatonic scale.

What is a pentatonic scale?

The pentatonic scale is a five-note scale – Penta meaning five.

But there’s one small catch.

Technically speaking any five-note scale could be called pentatonic, consequently, how are we going to know which notes to play in our scale?

learning the guitar scales
learning the guitar scales

The Pentatonic scale

The pentatonic scale we will use is the minor pentatonic scale that will also contain the same notes as the major pentatonic scale.

And the best part?

We won’t have to get tangled up in a whole lot of stuff we won’t need at this stage. So we can concentrate on playing music not doing a NASA project.

And it all boils down to this …

There is a relationship between major and minor scales.

To understand how this works take a look at the circle of fifths image below.

circle of fifths

The letters around the outer circle represent the Major scale whilst the letters in the inner circle identify the relative minor to each major scale.

So what we can see from this diagram is that the relative minor for C major is A minor.

Now, just when this is looking pretty simple.

Be Warned:

There are different types of minor scales.

Let’s see … there’s the natural minor, harmonic minor, melodic minor and the list goes on.

The particular minor scale we are interested in is the natural minor scale aka the Aeolian mode.

So let’s investigate how these two scales are related.

The notes of the C Major scale are: C – D – E – F – G – A – B – C

and the notes of the A natural minor scale are:

A- B – C – D- E – F – G – A

Did you notice both scales contain the same notes only in a different sequence?

“Playing scales is like a boxer skipping rope or punching a bag. It’s not the thing in itself; it’s preparatory to the activity” – Barney Kessel

Barney Kessel

Now, this is the part where we move all of this over to the guitar fretboard and you will soon see how easy it is learning the basic guitar scales.

The world-famous pentatonic scale pattern

Some readers will already know this scale shape, you might not know it by name but chances are you have played this pattern.

Similarly, you may well have played the following pattern and not been aware of the subtle difference.

Here is the C Major pentatonic scale pattern

So what’s the secret?

Is there a secret?

When the scale patterns are presented as I have above it’s not that obvious that they are exactly the same notes and patterns on the fingerboard.

That’s because I have illustrated the scales by identifying their root notes, the root notes are the clear circled notes.

Therefore the fingerboard patterns look slightly different.

Now, take a look at the following patterns where I have illustrated the complete set of possible notes that lay comfortably under the guitarist’s fingers without stretching or changing position.

Notice how both patterns are identical?

Major or Minor pentatonic which one?

If both major and minor pentatonic scales have the same notes and fingering patterns how do we know which one to play and does it matter?

The first thing to do is to listen to the song because the style of music you are playing will give you an indication as to which pentatonic scale to play.

Here’s how it goes:

If the style of the song is a blues, rock or melancholy style – go with the minor pentatonic scale.

– Mike Hayes

If it’s a country, pop or folk song chances are the major pentatonic will be a good fit.

Mike Hayes

These are general guidelines that you can use to get you started however you have to LISTEN to the song and get a feel for the emotional response the artist is going for.

In other words, it all depends on the song.

That’s what I mean by selecting the correct music/language alphabet for the project.

If you get that wrong it would be just like speaking Polish to an Eskimo.

In conclusion here’s an example of how that would work in the real world.

First example – you’re playing a rock song in the key of A

Here’s where you would go

The next song you are playing is a country song also in the key of A here’s what I’d do

In conclusion, it’s the same pattern that just shifted down three frets.

The important thing is to be aware of where each scale pattern takes its name from.

They are the notes in a clear circle, I call these keynotes.

Learning the beginner guitar scales

Right at the beginning, I said to Stop! Playing scales

What I meant was to stop mindlessly running up and down scales.

Scales can free your fingers and freeze your brain

– Don Burrows
beginner guitar scales

It’s the spaces between the notes that make the music.

When guys like BB King play they sound like they mean every note when most guitar players play it sounds like a clarinet exercise.

The key here is phrasing.

For instance, if you were trying to have a conversation with someone and they wouldn’t stop talking there wouldn’t be any communication happening.

Similarly, if a guitarist just keeps playing an endless stream of notes without spaces it won’t communicate anything.

Beginner Guitar Scales bonus tip: Mary Had A Little Lamb

Next time you are playing a solo try thinking of the tune Mary Had A Little Lamb.

You are not trying to play that tune (although that is a great exercise in itself), what we are setting out to do is use the phrasing (spaces) of Mary Had A Little Lamb.

In other words, you are playing the scale that is appropriate for the style of music you are performing and you’re thinking of the phrasing of Mary Had A Little Lamb.

After that try other simple tunes you know, remember we’re just using the phrasing of these tunes as starting points for our own solos.

And that’s just the beginning …

Ready To Take Your Guitar Playing To The Next Level?

If so, then I’ve got something else you will definitely want in on then …

(All you’ve gotta do is simply click the button below to discover the secrets most Guitar Players will NEVER know about playing music on the guitar …)

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D 6/9 Chords On Guitar: What you Should Know (Part 1)

D 6/9 Chord On Guitar

Video transcript:

Hello and welcome to our session on d69 chords on the guitar now before we jump right in and have a look at some of the shapes that we can play on the guitar fingerboard let’s just have a look at six-nine chords in general.

Now in this session, I’ll be discussing the major six-nine chord so the first thing that we can learn about six-nine chords is that it can replace a major chord so for example if you’re finishing a song let’s say on a d chord I can replace that d chord with a d6.

Now if you have a listen to the six-nine chord it has an unresolved character it’s really quite colorful and you could probably say it’s restful it has a very open sound and these qualities are really useful to us on guitar when we’re want to create introductions or endings or just little sections in between verses in a song just to create some different textures and some different levels of interest.

It’s really quite an ambiguous sound too it could be major or minor and it depends on the harmonic environment the chords that are going on around it it’s also interesting sometimes if you don’t play the root of the chord you can just move the chord around.

So it’s very much like a major The pentatonic scale doesn’t have that home base feeling so you can do a lot with this chord also certain inversions of the six-nine chord creates what they call a quartal chord and this is a chord that’s really built in fourths instead of the traditional thirds in diatonic harmony.

So let’s see how this chord is constructed if we take our d major scale and select the first third and fifth notes we end up with a d major triad if we add to that triad the sixth note that’s the b and also the ninth note which is the e now what I’m doing there I’m counting from d to d being an octave that’s eight.

And I’m adding in the next note which is the e so you can see the e note could be called the ninth or the second it’s the same note so now that we know the notes in a d69 chord we can now go across to the guitar fingerboard and create some shapes.

The type of shapes that we’ll play on the guitar will depend on the music you’re playing so I’m going to start off with a really easy d69 chord.

It’s basically in the open position and just using one finger now this version of the 69 chord doesn’t have an f sharp in it so it doesn’t have the third note that’s fine depending on your song you might want to leave out the third.

Sometimes you might even want to leave out the root note it all depends on the song now next chord shape I’m going to play probably a lot of you will already know this shape it’s a d69 chord with an f sharp bass so this particular chord has all the notes of the d69 including the third in In this instance the third note the f sharp is in the bass.

Now when I said a lot of you would probably know this already you might not know the name of it but I’m sure you’ve probably played this chord in a song called horse with no name by the group America.

Essentially that song only has really two chords in it e minor and d I’m going to come back and talk a little bit more about that song later on in the video and how we can apply some of the things we’re learning uh now to make that song really interesting if you’re jamming along with some other players.

You’ll be able to add another guitar part and enhance the performance.

The next chord I’m going to play is another d69 this time it’s what we call a root position d69 again you can hear a different flavor it has all the notes in the d69 and why we call it a root position chord is that the lowest note is the name of the chord, in other words, the note we have on string five is a d.

Now no doubt some of you will already know these next couple of shapes this I’ll call it the low version a lot of times they use this type of voicing in jazz people like Django Reinhardt and a lot of gypsy jazz players use that particular voicing I’m now going to go up to a let’s call it a medium voicing and then one more a high voicing so you can probably hear that low medium and high.

These are all standard ways of playing d69 chords they’re all good shapes to know now on the screen, you’ll see two diagrams for each chord the top diagram will give you the fingering it’s a suggested fingering you don’t have to use that but it’s generally, the ones that people use.

Beneath that diagram, you’ll see the exact same chord shape only this time we’ve identified the notes under your fingers so you can see the notes we worked out before the d, f sharp a b, and e you can see where each note is positioned under your fingers

And now for some practical application.

I’m going to get back to the song that I mentioned earlier on the video horse with no name, I’m going to play the standard e minor and d six-nine with an f sharp bass uh in the open position that’s the ones on the screen now and that’s how most people would know how to play that song.

And certainly, if you’re a vocalist and you’re accompanying yourself on guitar I’d definitely go for those chords however, let’s say for example we have a duo situation where we have one vocalist and two guitars there’s no real point in both guitars playing exactly the same chord shapes.

You’ll get more value out of it if we can create some space between the two guitars so on the screen you’ll see up at the top of the On the screen, you’ll see the traditional way of playing horse with no name e minor to d69 with an f sharp bass and down below it I’ve got a guitar 2 or a suggested guitar 2 part where I’m playing the same chords e minor.

In this instance, I’m playing an e minor seventh and then I’m going to a d69 with an f sharp bass but I’m playing quite a distance away from the first guitar part.

And now let’s finish off this video by listening to the two guitar parts we’ve got the guitar one playing the standard chords that the vocalist would play and then we have a second guitar creating a different texture by creating some space between the guitar one part and the guitar two.

So I do hope you’ve got something out of our first discussion on six-nine chords and I look forward to catching up with you next time

Bye for now.

Ready To Take Your Guitar Playing To The Next Level?

If so, then I’ve got something else you will definitely want in on then …

(All you’ve gotta do is simply click the button below to discover the secrets most Guitar Players will NEVER know about playing music on the guitar …)

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