The best place to start sharpening our musical ‘ears’ on guitar
is to learn to recognize the blues chord progressions,
particularly the 12, 16, 24 and 8 bar progressions; with a bit of
practice you will ‘hear’ these progressions in many styles of
music.
Blues chord progressions form the basis for many rock, jazz and
country songs so let’s take a look at the most important
progressions for you to learn.
All blues progressions are presented in the key of C for you to
study.
Progression #1
C /// | C /// | C /// | C /// |
F /// | F /// | C /// | C /// |
G7/// | G7 ///| C /// | G7/// || C (last time)
The G7 chord in bar 12 acts as a turn-a-round chord which signals
the return of the progression to bar one, the last time through
the progression will finish on the ‘C’ chord.
Progression #2 is another common variation of the basic 12 bar
blues template, notice how it is exactly the same as progression
#1 except for the ‘F” chord in bar ten.
Progression #2
C /// | C /// | C /// | C /// |
F /// | F /// | C /// | C /// |
G7/// | F /// | C /// | G7/// || C (last time)
Now for a progression with a slight twist, it’s the same
progression as #1 only with a surprise chord change in bar two.
Progression #3
C /// | F /// | C /// | C /// |
F /// | F /// | C /// | C /// |
G7/// | G7 ///| C /// | G7/// || C (last time)
Progression #4 is the same as # 2 again with the surprise chord
change in bar two.
Progression #4
C /// | F /// | C /// | C /// |
F /// | F /// | C /// | C /// |
G7/// | F ///| C /// | G7/// || C (last time)
Another favorite variation on the 12 bar blues is the sixteen bar
template here is a sample of a 16 bar blues for you to study;
notice how it is the same as progression #2 only with an
additional four bars added at the beginning.
Progression #5
C /// | C /// | C /// | C /// |
C /// | C /// | C /// | C /// |
F /// | F /// | C /// | C /// |
G7/// | F /// | C /// | G7/// || C (last time)
It’s interesting to note that blues #2 is the only progression
that is used for the 16 bar version of the blues.
The twenty four bar blues is simply a double length version of
progression two.
Progression #6
C /// | C /// | C /// | C /// |
C /// | C /// | C /// | C /// |
F /// | F /// | F /// | F /// |
C /// | C /// | C /// | C /// |
G7 ///| G7/// | F /// | F /// |
C /// | C /// | G7 ///| G7 ///|| C (last time)
Now it’s time to take a look at the eight bar format.
Progression #7
C /// | G /// | F/A /// | F/A ///|
C /// | G /// | C /// | G /// || C (last time)
A simplified version of the eight bar blues would look like this:
C /// | G /// | F /// | F ///|
C /// | G /// | C /// | G ///|| C (last time)
Play these blues templates over and over until you own them,
listen carefully to how each chord flows to the next and most
importantly try to get a ‘feel’ for each progression so you can
identify it next time you hear it.
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