Beginner Guitar Scales: Stop! Playing Scales

Beginner Guitar scales and what you should know.

Want to learn more about beginner guitar scales?

So you’re sick and tired of the frustration and confusion?

beginner guitar scales
Tommy Emmanuel – the focus is on melodies

You’ve tried everything. 

Practicing scales relentlessly hour after hour until it feels like your fingers will drop off.

Learning more scales, more techniques even buying more gear (fun but not helpful).

But no matter what you do it feels like progress is coming like a turtle walking on peanut butter (thick peanut butter).

And boom! You’re in a never-ending battle of technique vs you, and guess who is winning?

We’ve all been there …

And I’m sure you have heard this advice a million times: “practice makes perfect”.

So what the heck do we do?

Learning Guitar scales: traps to avoid

News flash: It’s not what we’re doing it’s what we’re focusing on!

You see it’s not the practicing that’s the problem it’s the way we’re practicing.

Above all, we need to be acutely aware of the “two-way street” bind between technical accomplishment and what we are hearing in our head.

What we ‘hear” is a function of what we practice and what we play is a function of what we hear.

In other words, if all we practice are scales all we will hear are scales therefore when it comes to playing a solo it will most likely sound like an exercise.

Wham! Scales are not music

There’s the key right there …

Scales in themselves are not music.

Now for a lot of people that concept will hit them like a ton of bricks.

Heavy stuff, I know but that’s the truth.

However, it’s important to get your ears pinned on straight before going any further

The language of music, the music of language

Continuing the music, language analogy the key to playing meaningful music/solos is to:

  • select the correct alphabet for the music you are playing e.g., blues, country, jazz, etc.,
  • use the rhythm of words for phrasing 

Read on to find how we do this …

What scales are

Scales can be referred to by many different terms: Pitch-scales, modes, etc., and can have from two to twelve tones or more.

For our discussion on beginner guitar scales, a scale is any pre-determined restricted set of notes which chords (vertical forms) and melodic combinations (horizontal) can be chosen.

Essentially, scales are our musical alphabet.

Can this really be true?

Sure thing!

So what am I talking about?

If you think of music as a language – which it is!

Then single notes are the letters of our alphabet.

Chords are the words.

And chord progressions are our sentences.

beginner guitar scales

Let’s get this show on the road

Right then, as you see from the above analogy just simply running up and down scales all over the fretboard like a bee in a bottle would be like a person reciting the alphabet as fast as possible.

The result would be jibberish.

In the hands of an experienced musician, scales can become music, it’s our job to learn how to manipulate the musical raw materials and turn it into music that communicates.

Now, would be a good time to take a break and have a listen to exactly what I mean,

For those jazz fans amongst us check out Bill Evans & Jim Hall Duo – Romain

Not into jazz? how about Eric Clapton’s version of Danny Boy

Both these players know lots of scales and both can play fast, but what did they do?

They responded and reacted to the musical setting and communicated their ideas clearly to the listener

In the same way as a good writer or speaker does.

Beginner Guitar Scales: The basics

Imagine for a moment that you were only allowed to learn one scale on guitar.

Yep, just one. Which scale would you choose?

But, won’t I have to learn heaps of scales and modes patterns all over the guitar and lots of difficult theoretical concepts to go with it? I hear you say.

No, just one.

Can you guess which one?

Tell me which one I must know!

Bear with me, because now I’m going to show you how to use one scale pattern that actually will have two functions.

It’s called the pentatonic scale.

What is a pentatonic scale?

The pentatonic scale is a five-note scale – Penta meaning five.

But there’s one small catch.

Technically speaking any five-note scale could be called pentatonic, consequently, how are we going to know which notes to play in our scale?

learning the guitar scales
learning the guitar scales

The Pentatonic scale

The pentatonic scale we will use is the minor pentatonic scale that will also contain the same notes as the major pentatonic scale.

And the best part?

We won’t have to get tangled up in a whole lot of stuff we won’t need at this stage. So we can concentrate on playing music not doing a NASA project.

And it all boils down to this …

There is a relationship between major and minor scales.

To understand how this works take a look at the circle of fifths image below.

circle of fifths

The letters around the outer circle represent the Major scale whilst the letters in the inner circle identify the relative minor to each major scale.

So what we can see from this diagram is that the relative minor for C major is A minor.

Now, just when this is looking pretty simple.

Be Warned:

There are different types of minor scales.

Let’s see … there’s the natural minor, harmonic minor, melodic minor and the list goes on.

The particular minor scale we are interested in is the natural minor scale aka the Aeolian mode.

So let’s investigate how these two scales are related.

The notes of the C Major scale are: C – D – E – F – G – A – B – C

and the notes of the A natural minor scale are:

A- B – C – D- E – F – G – A

Did you notice both scales contain the same notes only in a different sequence?

“Playing scales is like a boxer skipping rope or punching a bag. It’s not the thing in itself; it’s preparatory to the activity” – Barney Kessel

Barney Kessel

Now, this is the part where we move all of this over to the guitar fretboard and you will soon see how easy it is learning the basic guitar scales.

The world-famous pentatonic scale pattern

Some readers will already know this scale shape, you might not know it by name but chances are you have played this pattern.

Similarly, you may well have played the following pattern and not been aware of the subtle difference.

Here is the C Major pentatonic scale pattern

So what’s the secret?

Is there a secret?

When the scale patterns are presented as I have above it’s not that obvious that they are exactly the same notes and patterns on the fingerboard.

That’s because I have illustrated the scales by identifying their root notes, the root notes are the clear circled notes.

Therefore the fingerboard patterns look slightly different.

Now, take a look at the following patterns where I have illustrated the complete set of possible notes that lay comfortably under the guitarist’s fingers without stretching or changing position.

Notice how both patterns are identical?

Major or Minor pentatonic which one?

If both major and minor pentatonic scales have the same notes and fingering patterns how do we know which one to play and does it matter?

The first thing to do is to listen to the song because the style of music you are playing will give you an indication as to which pentatonic scale to play.

Here’s how it goes:

If the style of the song is a blues, rock or melancholy style – go with the minor pentatonic scale.

– Mike Hayes

If it’s a country, pop or folk song chances are the major pentatonic will be a good fit.

Mike Hayes

These are general guidelines that you can use to get you started however you have to LISTEN to the song and get a feel for the emotional response the artist is going for.

In other words, it all depends on the song.

That’s what I mean by selecting the correct music/language alphabet for the project.

If you get that wrong it would be just like speaking Polish to an Eskimo.

In conclusion here’s an example of how that would work in the real world.

First example – you’re playing a rock song in the key of A

Here’s where you would go

The next song you are playing is a country song also in the key of A here’s what I’d do

In conclusion, it’s the same pattern that just shifted down three frets.

The important thing is to be aware of where each scale pattern takes its name from.

They are the notes in a clear circle, I call these keynotes.

Learning the beginner guitar scales

Right at the beginning, I said to Stop! Playing scales

What I meant was to stop mindlessly running up and down scales.

Scales can free your fingers and freeze your brain

– Don Burrows
beginner guitar scales

It’s the spaces between the notes that make the music.

When guys like BB King play they sound like they mean every note when most guitar players play it sounds like a clarinet exercise.

The key here is phrasing.

For instance, if you were trying to have a conversation with someone and they wouldn’t stop talking there wouldn’t be any communication happening.

Similarly, if a guitarist just keeps playing an endless stream of notes without spaces it won’t communicate anything.

Beginner Guitar Scales bonus tip: Mary Had A Little Lamb

Next time you are playing a solo try thinking of the tune Mary Had A Little Lamb.

You are not trying to play that tune (although that is a great exercise in itself), what we are setting out to do is use the phrasing (spaces) of Mary Had A Little Lamb.

In other words, you are playing the scale that is appropriate for the style of music you are performing and you’re thinking of the phrasing of Mary Had A Little Lamb.

After that try other simple tunes you know, remember we’re just using the phrasing of these tunes as starting points for our own solos.

And that’s just the beginning …

Ready To Take Your Guitar Playing To The Next Level?

If so, then I’ve got something else you will definitely want in on then …

(All you’ve gotta do is simply click the button below to discover the secrets most Guitar Players will NEVER know about playing music on the guitar …)

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Guitar Coaching: Online Since 2004

Guitar Coaching

Is Guitar Coaching the answer to your guitar playing blues?

So you want to learn guitar, and you’re looking for a Guitar Coach – a good move.

Can I be totally honest with you? Not all Guitar Coaches are created equal.

Before you head out looking for Guitar Coaching centers near you and hand over your money or sign up for monthly memberships there are a few things to check out first.

I know the feeling, you’ve sweated blood trying to learn guitar and you feel like you’re banging your head up against a brick wall, just about everybody in the world seems to be able to play except you.

guitar coaching

You dream of effortlessly playing your favorite song on guitar but deep down you know it’s true – you need help!

You need some Guitar Coaching to help you get through the roadblocks both physically and mentally.

What Does Effective Guitar Coaching Do?

An effective Guitar Coach functions as a personal trainer.

They help you overcome the fatal learning hazards i.e., loss of motivation, self-doubt, and information overload.

A good Guitar Coach can help you set realistic goals, create tailor-made practice programs for you and offer constructive feedback.

News flash: What A Guitar Coach Can’t Do

Guitar Coaches can’t help players who aren’t internally motivated.

For instance, they can’t help people ‘find’ time to practice.

Of course, you can’t find time if you really want to do something you have to make time.

Yes, it’s true.

Your Coach can only help you if you do your part.

Here’s a quick test you can try to see if it’s worth getting a Guitar Coach.

Get a blank piece of paper and without really thinking about it write down the ten most important things in your life.

Next on the left-hand side of the page write the numbers one to ten.

The next step is to take the ten items you wrote down and assign each item a number in order of importance, one being most important, ten being the least important.

Wham! At this point you realize … Guitar Coaching is for you!

If guitar playing is in your top five you should definitely consider Guitar Coaching.

Still not convinced?

I know what you’re thinking … do I really need a Coach?

I mean, there’s so much information on the internet, I could literally spend days on YouTube alone checking out guitar videos.

And it’s free.

Does this sound like you?

You could spend days, weeks, even years surfing the internet grabbing snippets of information from here and there …

and THAT my friend IS the problem!

So let’s get down to business

If you have identified guitar playing as being important you need to stop wasting time and letting yourself down.

You see one of THE most important things an experienced Guitar Coach can do is keep distractions out of your way.

In effect a Guitar Coach will ‘tackle everyone and everything, you just have to run with the ball’.

Unfortunately, most people ‘sell themselves short’ when it comes to their own happiness and goals.

Quite often they put everyone and everything ahead of their own happiness.

BIG MISTAKE.

To make matters worse, they kid themselves that these ‘free’ lessons will help them get it all together on guitar.

You’ve heard the old saying“if you got if for free, you’ve probably paid too much for it”.

Think about it …

Why spend months even years going around in circles?

If you are happily reinventing the musical wheel you really can’t be serious about wanting to improve on the guitar.

Bottom line: You can’t learn flying from someone who has never been off the ground!

Guitar Coaching - Gibson 335

Let’s face it many of the so-called guitar instructors have never played in a band and certainly have never played professionally – where someone actually paid them for their musical services.

Today, it’s easy for anyone with a computer to open a free YouTube account and voila … instant guitar instructor.

Most of these guys and gals have never ventured outside their bedroom but here they are sharing their fretboard wisdom.

Here’s the point:

Most of this is really quite harmless and a lot of it is done in the spirit of sharing, fair enough.

So for the people who want everything for free … they get what they paid for … a lot of lick and tricks to amuse themselves but they never learn the language of music, they never know what they are doing.

If you don’t know what you are doing what’s the point of doing it.

The moral of this story?

You can’t learn skills from someone who does not have them.

Benefits of Good Guitar Coaching

Not only will a good Guitar Coach help you focus on your prime objective but also help you set up an effective practice program.

For instance, an effective Guitar Coaching program will include a course on reading music.

Learn Reading Music Skills

Music reading itself is not always a passport to playing good music.

A lot of music begins in the player’s head, and any system of dot ‘n spots can only be an approximation of those private thoughts and feelings.

However, in order to communicate effectively with other players and evaluate or analyze other people’s ideas, the ability to understand and use some form of musical notation is an essential requirement.

Be Warned:

Many students spend most of their time trying to pick out familiar phrases and melodies from recordings.

Of course, that aspect of Guitar practice is important to develop their musical ear but on the other hand, quite often students use this method as their main form of study.

Consequently, their practice session becomes unbalanced.

Granted, a few exceptional talents seem to survive this approach, but the not-so-talented tend to become nothing more than musical parrots.

To put it differently.

In transcribing recorded ideas, many hard to understand passages will seem to sound-out and then disappear from the memory before you can grasp them.

It’s a bit like trying to scientifically examine a butterfly in flight.

We learn about butterflies best by freezing their motion and observing them under a microscope.

The printed notation is just that – frozen music – ideas and sounds that cannot disappear in a puff of blue smoke.

Save time, use it.

In other words, get those phrases

  1. Off the recording
  2. Under the fingers, then – most of all …
  3. Down on to paper.

Copying ideas from recordings can be excellent ear training.

It can show you what a particular player played on a particular occasion.

BUT IT CAN NEVER TEACH YOU WHY HE PLAYED IT.

Only serious long term dedicated study can unlock that most important door.

With this in mind, a good Guitar Coach will help you learn skills such as learning to read music.

Guitar Coaching – online since 2004

The GuitarCoaching.com site has been online and serving guitarists worldwide since 2004.

Often copied but never equaled the original and still the best!

Online Guitar Courses

Beginner course: GuitarCoaching.com

Advancing Guitarist program: AdvancingGuitaristProgram.com

Guitar Coaching Near Me

Today through the wonders of technology you are always near a guitar coach.

If you don’t have access to an experienced professional Guitar Coach maybe one on one Skype lessons are a viable option.

Guitar Coaching At Home

Check out our Skype lessons, your schedule, your future.

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Bluegrass Scales For Guitar

At first glance, bluegrass guitar scales appear to be similar to country guitar scales. While the basic scales as similar the way these scales are played on the guitar creates a whole new world of exciting music.

bluegrass scales for guitar
Doc Watson

Except for some of the old rhythm-only players like Lester Flatt and Carter Stanley, who used a thumb pick and one fingerpick, bluegrass guitar is almost always played with a flat pick.

The main primary bluegrass guitar scales are the major pentatonic, the major diatonic scale and the Mixo-Lydian mode.

Blue Grass Scale: G

  The G major pentatonic

  —————————————————–
  —————————————————–
  ——————————-0———————
  ——————-0—–2—————————
  ——-0—–2—————————————
  –3————————————————–

  G major pentatonic (2-octave version)

  ——————————————————-0—–3–
  ——————————————–0—–3————-
  ——————————-0—–2————————–
  ——————-0—–2————————————–
  ——-0—–2————————————————–
  –3————————————————————-

  G major pentatonic 2 octaves (alternative pattern)

  —————————————————————-
  ————————————————————–8-
  ————————————————–7—–9——-
  ——————————-5—–7——9——————-
  ——————-5—–7————————————–
  –3—–5—–7————————————————-

  The G major diatonic scale

  ———————————————————–
  ———————————————————–
  ——————————————0—————-
  ————————0—–2—–4———————-
  ——–0—–2—-3—————————————
  –3——————————————————–

  G Mixo-Lydian mode

  ———————————————————–
  ———————————————————–
  ——————————————0—————-
  ————————0—–2—–3———————-
  ——–0—–2—-3—————————————
  –3——————————————————–

bluegrass scales for guitar

Other guitar scales commonly used in bluegrass music are the blues scale and the minor pentatonic scale.

  The G blues scale

  —————————————————–
  —————————————————–
  —————————————————–
  —————————–3—-5——————
  ————-3—-4—-5—————————–
  –3—-6———————————————

  G blues scale (2-octave version)

  ————————————————————–3–
  —————————————————–3—-7——
  —————————————3—-5—-6—————
  —————————–3—-5——————————
  ————-3—-4—-5—————————————–
  –3—-6———————————————————

  G minor pentatonic scale

  —————————————————–
  —————————————————–
  —————————————————–
  ——————————-3——5————–
  —————-3——5—————————–
  –3——6——————————————-

  The G minor pentatonic scale (2-octave version)

  ————————————————————–3–
  —————————————————3—-7——–
  ————————————–3——5——————-
  ————————-3—–5———————————
  ————-3—–5———————————————
  –3—–6——————————————————–

BlueGrass Practice Scales: Melodic Continuity

One of the limiting factors for most guitarists when learning bluegrass guitar scales is developing right-hand speed/strength.


The hardest thing about bluegrass guitar is keeping up the relentless flow of eighth notes from one end of a solo to the other.

Jazz guitarists call this endless stream of eighth notes melodic continuity.

If you want to hear great examples of melodic continuity playing in bluegrass music have a listen to guitarist Tony Rice. Rice is one of the all-time greats as far as bluegrass guitar is concerned.

I would also recommend listening to other fine bluegrass players: Doc Watson, Clarence White, Darol Anger, Norman Blake, Sam Bush, Vassar Clements. This is what good bluegrass music is all about.

  Although you can play bluegrass music on any guitar, the ideal bluegrass guitar is a dreadnought acoustic guitar.

  Another feature of bluegrass guitar scales is the use of guitar techniques such as hammer-ons and pull-offs and slides in preference for bends.

Often the bluegrass guitarist will play a scale in a linear fashion as opposed to the more conventional lateral version.

  G major diatonic scale (linear version)

  —3—-5—-7—-8—-10—-12—-14—–15————–
  ————————————————————
  ————————————————————
  ————————————————————
  ————————————————————
  ————————————————————

  Here’s another way to play the same scale, this is a descending version of the  G major diatonic scale, the open strings give a cascading effect.

  —————0——————————————-
  —8—–7———————0—————————
  ——————–7—-5—————–0—————
  ————————————7———————-
  ———————————————————–
  ———————————————————–

It’s quite common for a bluegrass song to have a chord progression derived from the minor pentatonic scale while the guitarist solos over the progression with a Mixo-Lydian mode.

  Sample bluegrass chord progression:

  G      G      F      F      D      D      G      G
  //// | //// | //// | //// | //// | //// | //// | //// :||

  If bluegrass makes you smile, these bluegrass guitar scales will have you grinning from ear to ear.

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What Is A Guitar Coach? Guitar Coaching Glossary

Why you need a Guitar Coach.

What does Serena Williams, Rafael Nadal and Tiger Woods all have in common?

Yes, they all top sportspeople, and yes, they all have a lot of money but they also have something else in common – do you know what that is?

They all have a COACH!

Get a Guitar Coach
Serena Williams

Yep, even the greatest athletes in the world still NEED coaches and trainers so they are able to do their best and improve.

But hey we’re not here to talk about sportspeople … we want to play guitar, I hear you say!

Absolutely right and that’s why more than ever before people who want to make real progress on guitar need a Guitar Coach.

Do You Really Need a Guitar Coach?

When it comes to people’s relationships with the guitar they essentially fall into three categories.

Category 1. People who own a guitar – to qualify for this category all you have to do is save up enough money to buy a guitar.

Generally speaking people in this category use the guitar as a symbol of grooviness, just like the guys that drive around with surfboards screwed to the roof racks of their van to make them look cool.

Of course, these surfboards never hit the water – but hey, their owners look hip.

It’s the same with guitar owners in category 1 they have their guitar placed strategically around the house with Jimi Hendrix posters on the wall and they’re hip.

Category 2. Guitar players – people in this category can play the heck out of the guitar – but are strangers to music, more about this important distinction later.

The players in this category are real fretboard wizards who treat guitar playing like an Olympic sports event where the focus is on ego-driven displays of digital dexterity played at the speed of light (or faster).

Unfortunately, many of these fellows and lasses become guitar teachers(?) on YouTube – we’ll look at that BIG problem later!

Category 3. Musicians who play the guitar as their chosen instrument for expression.

The distinction here is that the people in this category know and understand the language of music and use the guitar as a took for musical expression – in the same way, a writer uses a word processor.

The focus with these players is on the content of what is being played on the guitar, not the guitar itself.

Why Do I Need To Take Guitar Lessons?

Just as there are three categories of people’s relationship with the guitar there are also three categories of people’s attitudes towards learning the instrument.

Category 1. Some have significant financial problems (that make paying for guitar lessons impossible).


Category 2. Don’t care enough about one’s own musical progress to invest the time and money in himself/herself.


Category 3. Just doesn’t understand how much a great teacher can help a student in more ways than one may have realized.

Most people who don’t take guitar lessons fall into the last category.

Honestly, we can’t do anything about the people in categories 1 & 2 so the rest of our discussion is aimed at the people in category 3.

If you are in category 3 … READ ON … if not, now would be a good time to leave!

Get a guitar coach

The Importance Of Good Guitar Teacher

If you wanted to travel across the Sahara desert, you’d be unwise to try it without a reliable map.

Mind you, it has been done – but only by a handful of exceptional people and even, they would have found it difficult.

So what?

Well, trying to play a musical instrument without a reliable teacher is just as risky.

But every day many people attempt to cross that musical desert alone – and while a few might make it, the majority are doomed to wander the wastelands of our craft forever.

Our road from A to Z is littered with the decaying dreams of “would-be” players who saw it all like a fantasy ego trip rather than a well-planned journey into a new world of beauty and knowledge.

Perhaps the saddest amongst that band of aimless wanders are those who do have access to the map but choose not to use it.

If you doubt their existence, then consider the musical analogy – students who have a reliable teacher, but choose to ignore their advice.

Your teacher is your map – a guide to all the pitfalls, traps and frustrations that lie before you. He has been down that road before, he knows what lies ahead o trust him.

Use him properly – it beats getting lost!

Where Do I Find A Good Guitar Coach?

Right then, you have decided to get a guitar coach how do you find a good one?

Good point … not all teachers are created equal.

In fact, Guitar Coaches only come in two sizes King-size good and King-size bad.

What to look for:

1. First up you should look at the teachers’ track record: look for student testimonials that verify in fact that the teacher can teach.

This is important because just because a person can play the guitar does not automatically mean they can actually TEACH the guitar.

Playing and teaching are two entirely different sets of skills.

In the same way that being able to buy the materials to build a house does not mean the person has the necessary skills required to build a house.

This brings me to the all-important point: “You can learn flying from a guy who has never been off the ground”.

2. Can the teacher play the style of music YOU want to play? If the teacher does not have the skills he or she can’t pass them on to you.

Ask for samples of the teachers’ playing before you sign up and hand over your money.

3. Can the teacher read standard sheet music … if the teacher can only do guitar TAB there’s trouble ahead.

Get A Guitar Coach
Learning Guitar via Guitar TAB is a real “monkey see – monkey does” stuff!

Guitar TAB is a closed-door way of notation … it only works for guitarists, a piano player looking at Guitar TAB has no idea what is going on.

Whereas a Guitarist who can read standard music notation CAN communicate with players of ALL instruments.

WARNING: Beware of intellectually lazy teachers.

More than anything else if the teacher you are considering can only communicate via Guitar TAB it tells you that the teacher is intellectually lazy … time to back off, and move on!

An effective teacher is one who has a healthy mix of street smarts and solid Theoretical knowledge.

It’s not good enough to know that something works … you must know WHY.

Experience The Experience Of Experience

Of course, the experienced Guitar Coach will know that people learn guitar for many varied and different reasons.

They are also keenly aware that everyone learns at a different rate.

And that careful selection and sequencing of lesson material are essential.

With this in mind, the effective Guitar Coach must make sure that the lessons are tailored to the needs of the individual.

Gone are the days when the “one size fits all” method book was the only pathway into guitar playing.

An experienced Coach also understands the importance of structure.

Lessons without structure can only result in chaos.

There is a lot of truth in the statement that we only learn what we want to learn when we want to learn it!

So what should we expect for our Guitar Coaching sessions?

The 21st Century Guitar Coach

Before we look at music tuition and coaching today it’s important to look at how things have changed.

In days gone by the teacher was autonomous in the classroom they had the authority.

The principle and the parents backed up the teacher and they had full support.

And so the teacher could go to this classroom to students and say if you’re not going to practice if you’re not going to learn the parts you have to leave the band.

Because I want the band to sound good and I only want people here who want to play well.

The teacher wasn’t trying to develop a professional he was trying to say if you are going to be here you’re going to practice and learn your part if you don’t you’re out!

Today that’s practically unheard of.

That attitude and authority were very good for producing high-quality music students.

guitar coach

Today’s music student and the role of the Guitar Coach

Today it’s a totally different thing.

Let’s take a look at what has changed and why.

Then we’ll look at how the progressive Guitar Coach adapts to the current situation while still passing on the professional skills for long term success.

Music vs the music industry – here’s the skinny

Ever since The Beatles exploded on the scene in 1962 kids with guitars who knew three or four chords began to take over popular music.

As record companies moved to exploit the latest and greatest, they found to their dismay that many of their ‘stars’ had erratic time-feel and faulty intonation.

But hit records have to be made – (I’ve often wondered why) – so where necessary, the ‘stars’ were replaced by seasoned studio pros.

Eventually, with a little help from modern technology, these amateur groups came into their own.

Electronic tuners improved their intonation and programmable drum machines relieved the rhythmic problems.

Yet, despite these technological advances, the biggest question of them all remained unanswered …

How do you get into music, without taking the time and trouble to learn anything about it?

A dilemma? Not Really. Marketing found the answer…

If the player can’t come up to the music – bring the music down to him.

Dumbing Down

Yes, that’s it.

What clever little fellows these marketing people are!

Here it is again in case you missed the significance of the concept a moment ago.

If the player can’t come up to the music – bring the music down to him.

Now there’s a formula for sure-fire success!

Mathematically stated, it looks like this:-

Power chords + the pentatonic scale + tablature + the fade-out ending = fifteen minutes of fun and glory!

And much to our sorrow – it worked!

Guitar sales sky-rocketed, superstar performers flashed before our eyes – appearing and disappearing at a dizzying rate of knots.

Yet despite massive sales manufactures and retailers wanted more!

Enter the music video …. and the eye replaced the ear as the musical antenna.

We would all like to think that the human race is advancing, however, to quote Pianist/Conductor Daniel Barenboim “The problems of human existence have not been answered by the progress we witness technology and other sciences”.

How true … we now have access to an incredible amount of information 24/7/365 however as humans we now plagued by information overload, lack of focus and all sorts of anxiety and exhaustion/ fatigue issues.

Even though we have technology that can operate 24/7 human beings can’t and don’t work like that.

A person can go to YouTube for a “quick” guitar lesson and never be seen again as they have fallen victim to the “autoplay” abyss.

If they do ever return to the planet they can’t seem to remember anything – or very little of anything.

Information Overload – Lack Of Focus

The BIG problem for the 21st Century aspiring guitarist/ musician is DISTRACTION!

Know thy enemy: In a nutshell here is the 21st Century Guitarist’s formula for failure:

INFORMATION OVERLOAD + DISTRACTION = GUITAR DISASTER

get a guitar coach
A Good Coach Will Tackle Everything For You And Let You Run With The Ball

The Guitar Coach’s Responsibilities To The student

  1. To assist the student in defining her or her aims and objective.
  2. Develop the best possible work plan for achieving these goals.
  3. To develop the highest possible level of communication with the student.
  4. To use the weekly time allotted for the lesson as constructively as possible.
  5. Make sure the student thoroughly understands each week’s assignment before the end of the lesson.
  6. Thoroughly check the previous week’s work.
  7. To raise the student’s intake as quickly as possible to the level required of professional musicians.
  8. Generally, initiate, enthuse and inspire the student into the craft of making creative music.
  9. To assist with advice on instruments, equipment, available literature, and music.
  10. Keep accurate records of the student’s progress and periodically asses his/her potential.

What A Good Guitar Coach Will Do For You

A good guitar coach will – keep you focused on YOUR primary objective

Guitar Coaching Centres Near Me

Best Guitar Coach

Online Lessons: Guitar Coaching Courses Online

Guitar Coach download: Beginner Course

Guitar Coach – Advancing Guitarist Program

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Should I Practice Every Day? (The Answer May SHOCK You)

Typically I receive about ten to twenty emails per week asking questions specifically about practicing the guitar.

How many hours should I practice?

What should I practice?

Should I practice everyday? 

and the list goes on, of all the aspects about
guitar playing this seems to be one of the most confusing;
everyone knows they should practice they just don’t know ‘what’
and ‘how’ to practice.

The answer to the question “Should I Practice Everyday?” seems so
obvious that you would wonder why people even bother to ask…
however, dig a little deeper and the answer is not so crystal
clear!

If you asked me should you practice the guitar everyday
surprisingly my answer would be “it depends on what you are
trying to achieve”. You have got to be joking Mr Hayes!”, I hear
you say “surely everyone one should practice every day, how else
will you ever improve”.

In theory that’s the story since time began (or at least since
music lessons began) it’s the old familiar story in three parts:

1. The student would trot along religiously to their weekly music
lesson

2. He or she then proceeds to struggle though some boring
exercise at a painfully slow tempo, when the assault on the
teachers ear drums is completed the teacher would offer some
suggestions before dishing out next week’s homework (which
incidentally was on the next page in the music book).

3. Then the student would pack up and head off home for more
practice with the exciting prospect of repeating the whole
ghastly scenario again next week.

In the real world this simply does not work…

Let me explain:

How many students continue playing their instruments once they
finish school? Don’t know? I do, hardly any!

Why? Because they were subjected to years of this type of
uninspiring, boring and potentially dangerous type of training I
just described.

Not only do the students not continue playing their instrument in
most cases they are turned off music for life.

But surely students should practice everyday? Heck NO!

It is never matter of hour many hours a person practices rather
it is a question of:

(a) the quality of practice

(b) when was the last time the person had their guitar in their
hands

(c) constant practice can never replace ‘playing’ with other
musicians

(d) motor skill training is only half the story, data training is
done away from your instrument

(e) is the material you are practicing designed specifically to
help you achieve your goals?

Jazz guitar great Barney Kessel had an excellent motto “stay hot
and you never have to warm up” it makes sense to ‘play’ as much
and as often as you can>

Notice I said ‘play’ the problem with relentless practice is that
you are always in ‘practice’ mode i.e., you can always stop and
go back whereas ‘playing’ puts your entire body in ‘performance’
mode.

Before you sit down to another practice session take a few
moments to write down YOUR goals, ask yourself questions like:

Will the material I am practicing help me achieve my goals?

How long will it take to achieve our goals?

Am I studying with the right teacher?

Questions like these answered ‘away’ from your instrument will
help you determine how much practice and how often you should
practice the guitar.

Ready To Take Your Guitar Playing to the Next Level?

If so, then I’ve got something else you’ll definitely want in on
then…

(All you’ve gotta do is simply click the button below to discover the secrets most Guitar Players will NEVER know about playing music on the guitar …)

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Mike Hayes – Contemporary Guitar Solo

There’s a lot of truth in the old saying :

“Those who can’t play – teach” – others can play but can’t teach.”

Few can do both, listen to some samples of my playing and decide for yourself whether our studio is a ‘good fit’ for your guitar playing needs.

Learning music is a complex process:

Music theory cannot be profitably separated from music listening – both are intertwined.

Theory and listening plus the experience of playing music, provide insights that help us to become aware of what is happening from moment to moment inside the music.

Theory and listening cannot substitute for playing.

Listening and playing cannot substitute for theory, and

Playing and theory cannot substitute for listening.

 

Ready to take your guitar playing to the next level?

Why not consider:

Music lessons online via skype for all areas of Australia & internationally.

Interested in Skype lessons with Mike Hayes? Click here

how skype lessons work: Click here for details

Want to contact Mike Hayes? Click here

 

Mike’s playing and compositions have been featured as soundtrack material on the Channel 7, 9 and SBS television networks, and the MMM, Austereo and ABC radio networks in Australia. His music continues to be broadcast in various countries internationally.

 

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This Simple Trick Makes LEARNING SCALES on Guitar Easy

Creative Scale Practice – C Major Linear Scale

Each type of scale has it’s own unique visual template; and each template has it’s own unique musical melody that can be moved to different keys (different pitch levels).

If we think of a scale as being a musical measuring tape, the visual design pattern for each type of scale is different e.g., the interval spacing pattern of a harmonic minor scale would be different to that of a melodic minor scale on the musical measuring tape.

For today’s example we will use the key of C major.

The melody of the major scale is the familiar: do, re, mi, fa, sol, la, ti, do

The musical template pattern for the major scales is: tone – tone – semitone – tone – tone – tone – semitone

The C major scale contains the following notes: C – D – E – F – G – A – B – C

Now let’s take these notes and transfer them to our major scale template (or measuring tape).

C (tone) D (tone) E (semi-tone) F (tone) G (tone) A (tone) B (semi-tone) C

Keeping in mind that the guitar fretboard is divided into semitones i.e., the distance from one fret to the next is a semitone, and two semitones (two frets) equal a tone.

Our next step is to transfer our musical design to the guitar fretboard.

From the note C to the note D is a tone (two frets), from the note D to the note E is a tone (two frets) from the note E to F (one fret) etc.

Here’s how we play a C major linear scale on the second string of the guitar.

C = 1
D = 3
E = 5
F = 6
G = 8
A = 10
B = 12
C = 13

Notice how the notes E-F and B-C do not have a gap in between them.

The linear scale design (interval spacing) remains the same regardless of our starting point, which means that the relative distance between each note in our ascending linear major scale would be exactly the same regardless of which C note we started on.

Obviously some linear scales would be more practical than others but for the purpose of this exercise let’s take a look at our optional starting points for a C major scale.

Since we have six strings we could therefore create six linear designs; the designs for the first and sixth string would be identical since both strings are tuned to the note E.

Starting points

1st (str) C = 8th (fret)
2nd (str) C = 1st (fr)
3rd (str) C = 5th (fr)
4th (str) C = 10th (fr)
5th (str) C = 3rd (fr)
6th (str) C = 8th (fr)

The linear design based on the 5th string would be a possible option for acoustic guitar; the other patterns would require an electric guitar or an acoustic guitar with a cutaway.

Here’s how we play a C major linear scale on the fifth string of the guitar.

C = 3
D = 5
E = 7
F = 8
G = 10
A = 12
B = 14
C = 15

Does this type of thinking stimulate your neurons?

If so, then I’ve got something else you’ll definitely want in on
then…

(All you’ve gotta do is simply click the button below to discover the secrets most Guitar Players will NEVER know about playing music on the guitar …)

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Mike Hayes – Acoustic Blues Solo

Sample of Acoustic Blues Guitar

There’s a lot of truth in the old saying :

“Those who can’t play – teach” – others can play but can’t teach.”

Few can do both, listen to some samples of my playing and decide for yourself whether our studio is a ‘good fit’ for your guitar playing needs.

Learning music is a complex process:

Music theory cannot be profitably separated from music listening – both are intertwined.

Theory and listening plus the experience of playing music, provide insights that help us to become aware of what is happening from moment to moment inside the music.

Theory and listening cannot substitute for playing.

Listening and playing cannot substitute for theory, and

Playing and theory cannot substitute for listening.

Ready to take your guitar playing to the next level?

Why not consider:

Music lessons online via skype for all areas of Australia & internationally.

Interested in Skype lessons with Mike Hayes? Click here

how skype lessons work: Click here for details

Want to contact Mike Hayes? Click here

Mike’s playing and compositions have been featured as soundtrack material on the Channel 7, 9 and SBS television networks, and the MMM, Austereo and ABC radio networks in Australia. His music continues to be broadcast in various countries internationally.

Posted in Uncategorized | Comments Off on Mike Hayes – Acoustic Blues Solo

Stuck in a Guitar Rut? … break out

Are you Fretbored?

Honestly, sometimes we try so hard to improve that we miss the obvious stuff right under our noses.

For example: there’s a tendency to think we need to learn more chords and more scales whereas in reality it would be more productive if we learned how to do more with what we already knew.

Since many popular songs only use 3 or 4 chords I thought you might like to see how we could break the guitar ‘chord shape’ bind.

Here’s a common chord progression: 6-4-1-5 in the key of G

||: Em / C / | G / D / :||

Right then, here’s 3 different ways we could play this progression.

Example 1:

Em
—-0———-
—-0———-
—-12——–
—-14——–
—-14——–
—–0———

C
—–0———
—–0——–
—–9———
—–10———
—–10——–
——8——–

G
——0——–
——0——–
——4——–
——5——–
——5——–
——3——–

D
—–0———
—–0———
—–11——–
—–12——–
—–12——–
—–10——–

Example 2:

Em
—–0———
—–0———
—–0——–
—–5——–
—–7——–
—–7———

C
—–0———
—–0——–
—–0——–
—–2——–
—–3——–
—–3——–

G
—–0———
—–0———
—–0———
—–0———
—–x———
—–3———

D
—–0———
—–0——–
—–2———
—–0———
—–x———
—–2———

Example 3:

Em
—–0———
—–8——–
—–0———
—–9———
—–7———
—–x———

C
—–0———
—–5———
—–0———
—–5———
—–3———
——x——–

G
——0——–
——12——-
——0———
——12——-
——10——-
——-x——–

D
—–0———
—–7———
—–0———
—–7———
—–5———
—–x———

And this is just the tip of the iceberg! They are many other ways you could approach this progression.

and the good news is –

When you change the texture of the chord progression your lead guitar parts will take on a whole new dimension, without having to learn any new scales.

 

Ready To Take Your Guitar Playing to the Next Level?

If so, then I’ve got something else you’ll definitely want in on
then…

(All you’ve gotta do is simply click the button below to discover the secrets most Guitar Players will NEVER know about playing music on the guitar …)

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Harmonic Minor Scale On Guitar

harmonic minor scale on guitarSo you what to learn about the Harmonic minor scale on Guitar?

Learning new types of scales can be very rewarding because they open your ears and mind to fresh new sounds.

And most of all make your music more interesting.

As you increase your musical vocabulary you will also have greater command over your ability to express yourself.

Harmonic Minor Scale: Background

Once a guitarist has the natural minor scale under their fingers the next logical step in unlocking the guitar fretboard is to master the harmonic minor scale.

As you probably already have discovered learning the minor scales can be quite mysterious and confusing so to make certain we don’t miss anything here is a quick review.

The natural minor (aka the Aeolian mode) contains the exact same notes as it’s parent major scale, in fact an easy way to remember the notes of the natural minor scale is to keep in mind that the natural minor scale begins on the sixth note of the major scale.

C major scale (two octaves):

C – D – E – F – G – A – B- C – D – E – F – G – A – B – C

The “A” natural minor scale identified with notes in brackets [  ]

C – D – E – F – G – [ A ]-[  B ]- [ C ] -[ D ] – [ E ] -[ F ] -[ G ] -[ A ]
B – C

The Aeolian mode created a different mood than it’s parent major
key but did not produce any new harmonic structures (chords).

Since our music system is based around the 5 – 1 cadence (perfect
cadence) our musical ancestors set about creating a new scale
that would give the same strong 5 – 1 progression that they had
in the major key.

harmonic minor scale on guitar

Chord Families: Triads

Here’s how it works…

Chords produced from the parent C major scale:

C – Dm – Em- F – G – Am- B dim – C

The “A” natural minor harmonies:

Am- B dim – C- Dm – Em- F – G – Am

Notice how the Aeolian mode has the same harmonic structures are
the major scale only in a different sequence.

The perfect cadence challenge…

In ‘C” major the strong sense of closure is produced by the “G”
moving to the “C” (5 – 1 progression); whereas in Aeolian mode
version the Em to Am (5- 1 in the Aeolian mode) produced a weak
sounding cadence.

The solution:

Musicians solved the problem by sharpening the leading note (7th
note) of the natural minor scale; by sharpening this one note
they could change the 5th chord from a minor to a major thereby
creating the intended perfect cadence.

Here’s what happened…

Harmonic structures produced from the Aeolian mode

Am- B dim – C- Dm – Em- F – G – Am

The new harmonic minor (so named because of the ‘new’ harmonies
it created)

A- B- C – D – E – F – G# – A (notice the sharpened 7th note)

Produced these chords…

Am – B dim – C aug – Dm – E – F – G# dim – Am

As you can see the 5th chord in the harmonic minor progression is
now a major chord and a whole new world of harmonic and melodic
possibilities has been created for the creative musician to
explore.

Does this type of thinking stimulate your neurons?

If so, then I’ve got something else you’ll definitely want in on
then…

(All you’ve gotta do is simply click the button below to discover the secrets most Guitar Players will NEVER know about playing music on the guitar …)

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