Express Guitar - The Ultimate Guitar Learning Kit

If you have ever wanted to play a guitar, but didn't want to take months to do it. Then this program is for you!

  

Start playing "real" songs this weekend! Click Here!

 

 

beginning guitar | chords | strings

  

Learn Guitar: How To Play Three Chord songs On Guitar

Amazing simple formula for learning to play thousands of songs in all keys.

  

Sooner or later you are going to take your guitar along to a casual sing-a-long type jam and hope that someone will start singing in the only key you know.

Or perhaps you'll be playing along, converting the chords you know, quite well until someone pulls the plug out by saying, "Do it in A flat". This is followed by an embarrassing five minutes while you struggle to find chord changes in this unfamiliar tonality.

It happens to everyone, so read through to the chart at the end of this article and let a little light in.

There are twelve major keys.
Each one has a minor key closely associated with it - this is called the relative minor.

Each key (major or minor) has the same basic relationships.

Any melody or chord progression can be played in all twelve keys. this was not always so. Earlier European music systems utilized modes that did not have this quality.

The introduction of the piano around 1720 helped consolidate this "one Key relationship transposable to twelve different levels" as the system best suited to the needs of Central European musicians.

The name given to it is:-

The diatonic system or tonal system

The name simply refers to the fact that all notes and chords constantly resolve back to one Key point - the tonal centre or footnote of the scale.

There is a key for every note, but 99% of folk or song accompaniment on guitar takes place in six of these -

C, D, E, F, G or A.

In each of these keys there are three chords which will almost invariably be used. In the Key of C the most likely chords you will encounter are :-

C / F / G7

In order, these chords are alled in musical terminology -

C - the tonic
F - the subdominant
G7- the dominant


In the diatonic scale

C D E F G A B C 

the tonic is the chord built on the 1st degree (C)

the subdominant is the chord built on the 4th degree (F)

the dominant is the chord built on the 5th degree (G7)

A simple way to find the three principle chords of any Key is to begin counting a specific number up from the tonic of Key chord.

e.g., In the key of C the tonic is the C chord.

Then by counting up four full notes from the tonic chord, C D, E then F you arrive at the subdominant of the C Key.

To find the dominant simply move up to the next scale note (G), or count five full notes up from the tonic chord.

C, D, E, F then G

Dominant chords are usually sevenths - so now you know the whereabouts of the three main chords in the Key of C.

Of course these three chords are not necessarily the only chords used in songs but merely serve as guidelines in finding all the chords of a tune. However thousands of folk songs and pop tunes are playable with these three.


Here is a chart of the 3 main chords in each Key.

Tonic (key) Subdominant Dominant

Tonic - C Subdominant - F Dominant - G7

Tonic - F Subdominant - Bb Dominant - C7

Tonic - Bb Subdominant - Eb Dominant - F7

Tonic - Eb Subdominant - Ab Dominant - Bb7

Tonic - Ab Subdominant - Db Dominant - Eb7

Tonic - Db Subdominant - Gb Dominant - Ab7

Tonic - Gb Subdominant - Cb Dominant - Db7

Tonic - B Subdominant - E Dominant - F#7

Tonic - E Subdominant - A Dominant - B7

Tonic - A Subdominant - D Dominant - E7

Tonic - D Subdominant - G Dominant - A7

Tonic - G Subdominant - C Dominant - D7 

   

   

  |  add to favorites

 

  

Express Guitar Home:

Learn How to Play Guitar

 


 


 

Rave Reviews for Express Guitar:

 

As a student of Mike Hayes since 1999, I have found his teaching methods and products to be first class. Whatever style or area of music I have been interested in, he has provided me with useful information, advice and study materials. His style of teaching and teaching products enabled me to progress through his guitar course far quicker than I ever imagined. He also helps in teaching yourself to find and develop your own style of music. Mikeís teaching gives his studentís the ability to become useful musicians, not just guitarists.

Stephen J Reid
Guitarist & Musician
Australia

 


 

This course teaches us how to learn, how to retain, and how to recall information quickly. This entire program is built around "connected learning" with key phrases, picture words ( yes there is such a thing ) and the most dynamic personal motivator I have ever had the pleasure of knowing.

Ken C Simpson
Business Owner & Guitarist
Queensland, Australia

 


 

The course is varied, in-depth and well-structured, making learning and comprehension fast, thorough and enjoyable. Itís a great way of learning, as you can pace yourself and move onto the next stage when you feel competent. I find this course both innovative and inspirational. I find myself leaving Mikeís lessons with the determination to reach my new goals.

Karl J Ricker
Sales Manager
Sunshine Coast, Australia